The Cost to be the “Boss”: Kelsey Grammer’s Stellar Portrayal of Monster and Man

tmy_chronicles, phd

The Starz series “Boss” unfolds with immediate access into Chicago’s Mayor Thomas Kane’s Achilles’ heel.  In an arranged secret meeting, he finds out his fateful diagnosis. The clock starts ticking.  There isn’t much time. Yet it is this very alchemy of electoral ambition and corporeal deterioration that make for compelling drama.  Kane is a well-crafted villain who is simultaneously vicious and vulnerable, sinister and sympathetic.

It is knowing upfront the mayor’s deterioration that spawns an audience’s intrigue, for the mayor does not go gently into that good night.  Kane is an alluring character study.  Ruthless and lacerative, he weathers all tides as his kingdom rises and falls, falls and rises.  His prowess to manipulate is fascinating, wielding calculated and merciless vengeance over all who disobey him, inclusive of kindred and his own political inner circle. Even innocent people who unfortunately help his health are thrown under the bus.

The beauty…

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